Tweaks (for me) to play with
"Leica M3 or Hasselblad 35mm, 50mm or 80mm lens, f/1.4 or f/2.8, Kodak Tri-X 400 or Ilford HP5 Plus 400, low-contrast developer, natural light, late afternoon golden hour, shallow depth of field, slightly low or eye-level angle, Henri Cartier-Bresson-inspired decisive moment, Robert Capa-esque storytelling, fine art subtle color grading, nostalgic texture, 1960s mod style, soft focus on subject, blurred background, warm and inviting atmosphere, capturing liberation and joy.""35mm film camera, Canon AE-1 or Nikon F, 50mm or 85mm lens, Kodachrome or Ektachrome film, polarizing filter, low-angle shot, soft golden light, minimalist and elegant approach, simple yet powerful portrait, natural effortless fashion photography, inspired by Richard Avedon, Irving Penn, and Peter Lindbergh.""Nikon D5 or Canon EOS1DX, 70-200mm f/2.8 or 100-400mm f/4.5-5.6, digital capture with slight grain effect, edited for color and contrast, panning shot, fast shutter speed, adjusted white balance, sports photography, action photography, athletics photography style.""Nikon D5 or Canon EOS1DX, 70-200mm f/2.8 or 100-400mm f/4.5-5.6 lens, fast shutter speed, panning shot, digital capture with slight grain effect, edited for enhanced colors and contrast, white balance adjustment, sports photography style, action photography, athletics photography, historically accurate.""Nikon F3 or Leica M6 with 24mm or 35mm prime lens, Kodak Ektachrome 200 slide film, cross-processed for acidic tones, grain mimicking 35mm Tri-X 400, overexposed highlights, strobe bursts with blue/red gels, disco ball's fractured prism glow, shallow depth of field, bokeh-blurred background, panning blur, 1/1250 sec, f/2.8, influenced by Nan Goldin, Steven Klein, Herb Ritts, Lisa Frank, Steven Meisel, Cindy Sherman, with a 1970s/early 80s punk/new wave aesthetic, DIY ethos, and analog-era nightlife photography style."Nikon F3 or Leica M6, 24mm or 35mm lens, Kodak Ektachrome 200 slide film, cross-processed for acidic tones, grain like 35mm Tri-X 400, overexposed highlights, strobe bursts with blue/red gels, disco ball's fractured prism glow, shallow depth of field, bokeh-blurred background, panning blur, 1/1250 sec, f/2.8, influenced by Nan Goldin, Steven Klein, Herb Ritts, Lisa Frank, Steven Meisel, Cindy Sherman, with 1970s/early 80s punk and new wave aesthetic, DIY ethos, and analog-era nightlife photography style."35mm film, 24mm wide-angle lens, shallow depth of field, high-contrast lighting, neon blue and red stage lights, 1970s-style grain, gritty texture, bokeh-lit crowds, chaotic background, Marshall amplifier warm glow, Annie Leibovitz intensity, Robert Mapplethorpe edginess, lens flare, sweat and smoke effects, diagonal composition, focal point on face and upper body, nostalgic faded quality.""Leica M3 or Hasselblad 35mm, 50mm or 85mm prime lens, Kodachrome or Ektachrome film, warm vintage tone, Polaroid effect with slight fade and texture, low-angle shot, natural light, inspired by David Bailey and Terry Richardson, capturing 1960s style and culture.""35mm Leica IIIa or medium format Rolleiflex, 50mm or 90mm lens, Kodachrome or Ektachrome film, Polaroid effect, soft focus, diffusion, low-angle shot, looking up, inspired by Richard Avedon, Irving Penn, Edward Steichen, Bunny Yeager, and Weegee, Film Noir and Pin-Up photography styles, nostalgic feel, dreamy atmosphere, vibrant colors, fine grain.""Hasselblad 500CM with 100mm lens and Leica M4 with 35mm Summicron, Kodak Ektachrome 64T and Fujifilm Fujicolor NP, cross-processed E6 in C-41, soft diffused daylight with hidden flash, Polaroid SX-70 effect with vignetting and color shifts, low angle shot from 1-2 feet below eye level, 1:1 aspect ratio, inspired by Helmut Newton and Guy Bourdin, with a 1970s aesthetic, earth tone palette, and bold graphic patterns, incorporating a 'Polaroid glitch' in Photoshop, warm sepia overlay, and desaturated edges with grain.""Leica M6 or Hasselblad 35mm, 50mm or 80mm lens, Kodachrome or Fujicolor Super200 film, warm grainy aesthetic, Polaroid effect, low angle, soft natural light with warm golden tone, minimal editing, warm color grade, Helmut Newton-inspired, 1970s-style poster art backdrop, vibrant orange and green hues, 1:1 or 4:5 aspect ratio.""Vintage Polaroid SX-70 camera, Polaroid Type 108 film, high-contrast aesthetic, muted monochromatic color palette, blacks, whites, and grays, split-second flash, overexposure, slow shutter speed, multiple exposures, prism lens, low Dutch-angle shot, high bird's-eye view, Diane Arbus and William Eggleston influences, raw unvarnished quality, eerie glowing effect, impressionistic blur, dreamlike quality, voyeuristic feel.""Nikon F2 or Leica M6, 24mm or 28mm wide-angle lens, Kodak Tri-X400 or Ilford HP5 Plus400 film, high-contrast developer, Polaroid SX-70 effect, low angle, dynamic composition, inspired by Robert Capa, Henri Cartier-Bresson, and Daido Moriyama, capturing a playful, provocative moment of rebellion and freedom in 1970s, with a sense of movement and energy.""Large-format film camera (8x10 view camera), 12-inch or 18-inch lens, Ilford Delta 100 film stock, soft, diffused natural light, warm candlelit sources, slightly elevated angle, gentle shadows, moderate contrast, muted pastels with rich jewel tones, subtle grain, cyanotype-inspired blue-ish tint, ornate frame, bokeh-like effects, cinematic look, Julia Margaret Cameron-inspired dreamlike approach, Rococo-era opulence and eeriness, 1750s-1760s setting, Hasselblad H6D-100c or Phase One XF IQ4 100MP camera, Rodenstock Imagon or Carl Zeiss Jena Biotar lens.""Shot on Hasselblad H6D-100c for hyper-detailed skin and Contax II for gritty textures, with Phase One IQ4 for Wide-Angle Lens Distortion, using Rembrandt Lighting, Panchromatic Tones, and Chiaroscuro Lighting, with Motion Blur, Double Exposure Dreams, and lens flares, incorporating Tim Burton's whimsical gothic surrealism and Guillermo del Toro's grotesque beauty, with a Warm Sepia base color grading, Split-Toning, and Toon Shading, featuring a grainy, high-contrast texture, and intentional film grain and scratched textures, à la 1970s 'Grunge' era.""Hasselblad H6D-100c and Contax II cameras, with Phase One IQ4, Rembrandt Lighting, Panchromatic Tones, and Chiaroscuro Lighting, Motion Blur, Double Exposure Dreams, Warm Sepia base, Split-Toning, Toon Shading, grainy texture, and 1970s 'Grunge' era aesthetic, blending Tim Burton's and Guillermo del Toro's styles.""Hasselblad H6D-100c hyperrealistic detail, Contax II grainy textures, Phase One IQ4 labyrinthine distortions, Leica II-era Rembrandt Lighting, Chiaroscuro lighting, fluorescent tubes, flickering overhead bulb, lens flares, atmospheric haze, Motion Blur, Toon Shading, Double Exposure, 1970s grunge textures, aged film artifacts, Kubrickian symmetry, Burton-esque whimsy, del Toro-esque grotesquery, steel-blue base, ashen pallor, sepia undertones, mossy greens, rusted-red patinas, emerald bioluminescent accents, shallow depth of field, watercolor nightmare background.""Leica M3, Contax II, Hasselblad H6D-100c, 1970s film grain, scratched textures, light leaks, halftones, chiaroscuro gaslight, candlelight lens flares, bioluminescent green accents, warm sepia color grading, ashen and cool skin tones, mold-streaked uniform details, toon shading, double-exposure silhouettes, wide-angle lens distortion, claustrophobic nightmare atmosphere, Kodachrome vibrance, rotting textures, Edwardian-portrait clarity, WWII documentary lens grit, hyper-realistic fabric, moth-eaten holes, faint bloodstains, translucent tattered lace, greenish undertones, peeling wallpaper, twisted Victorian-1960s hybrid architecture, Wes Anderson symmetry, Kubrick precision, Burton absurdity.""Hasselblad H6D-100c hyperrealism, Contax II WWII lens high-contrast grain, Phase One IQ4 distorted labyrinthine stage, Annie Leibovitz iconic rock portraiture, Tim Burton eerie whimsy, Guillermo del Toro tactile decay, 1970s film grain, cracked-lens distortions, double exposures, spectral silhouettes, Rembrandt lighting, chiaroscuro shadows, neon-green lens flares, sepia tone, warm base, cool ashen skin, split-toning, mossy greens, charcoals, textured mold-like stains, bioluminescent accents, motion blur, hyperrealistic skin textures, oversized and distorted proportions, Victorian decay, psychedelic energy.""Polaroid Model 100 instant film, Hasselblad 500C medium format film, natural lighting with flash, warm glow, cinematic precision, frozen moment"Helmut Newton-inspired, Hasselblad 500C, square format, razor-sharp lens, chiaroscuro, deep shadows, luminous highlights, Polaroid Model 100, dreamy, softer-focused print, watercolor-like texture, nostalgic, chemical process, frozen in time.Gered Mankowitz, Leica M6, available light, shallow depth of field, Sepia tone, subtle tone, intuitive and unobtrusive style, mod elegance, free-spirited abandon, warm nostalgic glow, dreamy impressionistic feel."Leica M6, 50mm prime lens, Kodak Portra 400, low exposure, high contrast, ISO 200, natural light with softbox, Polaroid effect with subtle fade to edges and gentle grain texture, 1960s-inspired aesthetic, nostalgic and retro feel, vintage color palette, subtle film grain texture, soft and dreamy atmosphere, stylized and artistic portrait.""Hasselblad 500C, 50mm f/2.8, shallow depth of field, bokeh effect, Kodak Portra 400 tone, warm golden tone, subtle texture, film grain, softbox and sidelight, high-contrast, Polaroid-style border, slight fade, minor scratches, daguerreotype effect, muted color palette, nostalgic sci-fi feel, 1980s-90s aesthetic, 'Aliens' meets 'Blade Runner' style."fisheye lens, low-angle shot, dynamic movement, vibrant colors, high contrast, saturated postproduction, digital camera, wide-angle distortion, curved lines, kaleidoscopic arc, blurred background, soft background focus, dreamlike
