Description

This project explores a broken holographic aesthetic, where subjects appear as unstable projections rather than solid objects. Forms are partially present and partially dissolving, as if rendered through a corrupted signal. Identity, structure, and motion fragment into pixelated spheres, ghosted layers, and blurred trails, creating the sensation of time slipping and data failing.

The visual language is effect-first, prioritizing perception over realism. Subjects can be people, architecture, vehicles, animals, or abstract forms, but they are never fully intact. Instead, they exist in a state of holographic signal distortion, where reality feels paused mid-collapse. Ghosting, analog warping, and static noise are treated as core features, not defects.

The style avoids clean CGI, polished realism, and traditional sci-fi holograms. There are no sharp wireframes or perfect light projections. Everything feels unstable, imperfect, and emotionally charged, like a memory, a malfunctioning recording, or a presence struggling to stay visible.

The result is a unique visual identity that blends glitch, illusion, and holography into a coherent aesthetic, designed to create images that feel haunted by data, time, and signal interference rather than grounded in physical reality.