A terrifying Neomorph with biomechanical body parts sits crouched in the corner of a dark space station cabin, partially swallowed by shadows. The creature’s pale alien flesh is fused with biomechanical elements — ribbed structures, sinewy tendons, and subtle mechanical integrations visible along the torso and limbs.
In front of the Neomorph, on the cold metallic floor, stand several slime-covered cocoons containing unborn xenomorph facehuggers. The cocoons are semi-translucent, organic, and wet, wrapped in thick alien mucus that drips and stretches between them. Inside, distorted embryonic shapes are faintly visible, curled and waiting.
The environment is cramped and oppressive — a narrow space station cabin, industrial metal walls, exposed panels, cables disappearing into darkness.
A red emergency light flashes intermittently, bathing the scene in deep crimson tones. The red light reflects off the slime, the cocoon surfaces, and the Neomorph’s biomechanical anatomy, creating harsh highlights and deep, unsettling shadows.
The Neomorph remains motionless, watchful, almost ritualistic — not attacking, but guarding. The silence feels heavy and unnatural.
Camera: close medium shot — tight framing that emphasizes the Neomorph and the cocoons, minimal background visibility, strong sense of confinement.
The atmosphere is extremely disturbing — damp air, biological residue, darkness pressing inward from all sides.
Hyper-realistic sci-fi horror, biomechanical alien design, cinematic lighting, physically based rendering (PBR), ultra-detailed textures, high contrast, claustrophobic composition, pure alien dread.,XENOPUNK,XENOMORPH FASHION,XENO MUTANTS
