A full-body side-profile portrait of a woman wearing a dystopian xenomorph-inspired outfit, futuristic biomechanical aesthetics. The figure has a slender yet powerful silhouette, accentuated hips and waist, wearing a tight black latex-like dress with organic, alien textures and subtle biomechanical patterns.
Her upper body is partially covered by an asymmetrical off-white synthetic fabric sleeve, worn and slightly stained, contrasting with the dark alien material beneath. The woman’s head is fully enclosed in a DYSTOPIAN XENO HELMET — an organic, alien-inspired helmet with smooth, bone-like surfaces, minimal facial openings, and a sense of claustrophobic design.
From the back of the helmet, long black biomechanical cables and tendril-like wires flow downward, resembling xenomorph neural extensions or living conduits, slightly tangled and organic in motion.
Background: the interior of a space station cabin, industrial sci-fi design — metallic walls, exposed panels, dim ambient lighting, soft reflections on steel surfaces, subtle fog and atmospheric depth. The environment feels isolated, sterile, and oppressive, like a deep-space dystopian habitat.
Cinematic lighting, soft side light emphasizing textures and contours, shallow depth of field, ultra-detailed materials, realistic fabric wrinkles, high contrast between organic alien elements and cold industrial sci-fi interior.
Hyper-realistic, sci-fi dystopian aesthetic, high fashion meets biomechanical horror, 8K resolution, sharp focus, cinematic composition, muted color palette, film grain, futuristic editorial photography.,XENOPUNK,XENOMORPH FASHION
